About

My passion for art was ignited in childhood, inspired by a fascination with cultures worldwide. From an early age, I immersed myself in books and museums, captivated by sculptures and artifacts that embodied ancient societies’ beliefs, symbolism, and mythologies. My exploration led me to study works created during the Paleolithic period, also known as the Old Stone Age (38,000 B.C.E.), a time when creativity was an integral part of society. The sculptor’s role essential —not merely as a creator but as a cultural pillar, shaping and reflecting the values of their communities.

This deep respect for ancient artistry is further enriched by my admiration for the modern European masters, whose groundbreaking work reshaped our understanding of form, abstraction, and emotional depth. Their ability to distill timeless archetypes into contemporary expressions continues to inspire my approach, connecting the ancient with the modern.

Central to my practice is an exploration of the feminine divine, expressed as the goddess archetype in mythologies, cultures, and religions. Carl Jung observed, “She is not a symbol of something; she is something; she is life.” This creative force represents the essence of creation itself—the giver of life, the vessel through which all existence flows. Once exalted, this archetype was later suppressed. Yet in recent decades, a renewed understanding of the feminine divine has rekindled the exploration of its significance as a vital part of the human experience.

At the intersection of the spiritual self and the physical body lies the energy of the feminine divine, encompassing qualities such as birth, compassion, nurturing, and intuitive wisdom—qualities that transcend gender and exist within each of us. These energies flow naturally into the artistic process, where the artist becomes a vessel for transformation, shaping raw materials of the earth into forms that honor the interplay between the earthly and the ethereal.

My practice is one of devotion and ritual. Using subtractive methods—carving marble, molding clay, and casting bronze—I honor the traditions of ancient artisans and the visionary techniques of modern masters, creating sculptures that speak to our shared connection with this sacred energy. Each piece is an offering, inviting viewers to explore their inner harmony through timeless archetypes and unconditioned curiosity.

Through this process, I have come to intimately know the feminine divine within myself. Releasing a finished piece into the world is both an act of reverence and my contribution to society—an invitation to reconnect with the eternal flow of creation and to rediscover the sacred within ourselves.